![]() ![]() ![]() The external casing of the Anker Soundcore Flare is wrapped with cloth for added protection, a nice touch you don’t generally see on speakers in this price range. And that’s quite a feat for a device running on such a modestly-sized battery. But the Flare being able to take advantage of a larger build space means it can perform somewhat better than anything you’d find built into a TV. You can find $3,000 televisions and projectors with audio equipment in the 6-watt range. Built in with each driver is a passive radiator.Įven without the passive radiators, these drivers would be suitable for filling an entire room with booming audio. On each side, you’ll find full-range 6W audio driver. It’s essentially a long cylinder that widens towards the bottom. Sitting at 5.9 x 3.5-inches, the Flare weighs slightly over a pound. Nevertheless, the Flare’s LED light show does add to the generally modern feel of the flare. LEDs have made their way onto everything from buildings to computer mice, and it’s certainly not unusual to see them on speakers. And when you’re actually using the portability of a speaker, that’s a feature which can make-or-break your selection. You don’t have to be perfectly positioned to hear the music. The 360-degree design doesn’t have preferential sound treatment. That’s more than twice the coverage of a unidirectional speaker. If you drew a large circle around the Flare, you’d find you get the sound quality you want in 90% of the circle’s positons. If you drew a large circle around a unidirectional speaker, you’d find the sound quality you’re looking for while standing in about 40% of the circle, the portion which were directly facing the output of the speaker. ![]() And that means the no matter how good a front-facing speaker performs, sound quality is going to be all over the place. They might be moving from one space to another, like from their front yard to dining room. Instead, they’re at the beach, working outdoors. When people are listening to a portable speaker, they’re not necessarily sitting in fixed positions like watching television. But the 360° design does clearly outclass any speaker using a solely unidirectional design. The fact there’s only two drivers used in the Flare’s build means it’s not totally immune to the kind of sound-degrading you experience when standing at awkward angles relative to your audio equipment. More specifically, it creates sound on either side of the Flare. The Anker Soundcore Flare creates sound in all directions. It has something for everyone, as you can immediately tell from the stylish LEDs running around the base of the device. The most noteworthy features of the Anker Soundcore Flare are right in its name, portability, 360-degree sound production, and high portability to round out your experience. And if the microphone is important to you, then this is a little money well spent.Anker doesn’t have the same recognition as a brand like Sony, but they do have a reputation for high quality equipment relative to its price. Visually, it’s inoffensive compared to some of its competitors – classy even.įor sound, the JBL Go 2 is a better option, but the Anker SoundCore 2 surpasses it for features and battery life. It’s very much at the super-affordable end of the market and, thanks to the IPX7 rating, it’ll take some pretty serious abuse. That said, the SoundCore 2 is still worthy of your attention. There’s a diminished space between notes – an absence of the kind of layers that would allow our ears to celebrate nuances between vocals and instruments. However, despite the apparently bass-enhancing BassUp technology, the two-way design (each driver is powered by 6W of amplification) doesn’t offer much in the way of bass depth.ĭynamics are also an issue Lethal’s bolshy tone is present, but the detail required to fully deliver his emotional skittishness isn’t quite there. Lethal Bizzle’s Fester Skank doesn’t come across as thin or insubstantial through the midrange as we tap our feet along quite happily. We’re not surprised that the amount of detail on display is rather limited, but things tick along nicely and timing is not an issue. Once run-in (yes, that's worth doing even at this end of the audio scale), this little curvy cuboid is initially quite fun – there’s plenty going on through the midrange and it’s well-balanced.
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